I'm very excited to have the lovely and multi-talented YA author Gillian Philip here today. I asked her some questions about her varied writing career.
Tell us about your most recent books, ‘Bloodstone’ and ‘The Opposite Of Amber’.
BLOODSTONE is the sequel to FIREBRAND, which came out last year, and it’s the second in a series of four. The books are about the Scottish Sithe or faeries; I wanted to write about a hidden world that was close to ours, but perilously so – and in danger of vanishing. The heroes are forced to rebel against the faery queen, who wants to destroy the protecting Veil between the worlds for her own ends. I wondered who would be most threatened by that – the Sithe people, or us. The story was a long time in development. In fact Bloodstone was originally book 1, but I had to go back and write Firebrand before I really understood what was going on!
THE OPPOSITE OF AMBER is very different – it’s a contemporary story about two sisters who live in a bleak Scottish seaside town, and who begin to grow apart because of circumstances that spiral out of control. Jinn falls in love with the worst man possible, and Ruby, who has always depended on her older sister, has to learn to rely on herself even as she tries to save Jinn. And all the time, a serial killer is stalking the town, and coming closer to home.
What first attracted you to the idea of writing for the YA market?
Simply looking at the YA books that were available. My kids were born in 2001 and for the first time in a long time, I found myself in the children’s department of bookstores. And while I was looking for books in the younger sections, I couldn’t help being drawn by the YA shelves – they were so full of fantastic stories, fascinating characters and wonderful authors. I bought loads – on the pretext that I was building a library for my children when they were older. But as soon as I started to read them, I knew this was what I wanted to write myself.
Your writing is in more than one genre, was that down to a deliberate decision to explore different types of writing?
It was more of an accident! I’d always wanted to write a Scottish-based fantasy with a contemporary slant – and a very rough first draft did eventually turn into Bloodstone – but it took rather a lot of years to get it right. In the meantime I wrote a sequel to Bloodstone, but because those two were not in saleable condition, I had to branch out. I immediately turned to crime (fictional...) because I love reading it, and wrote Bad Faith and Crossing The Line, both of which were taken on by publishers.
I also took on work for Hothouse Fiction, writing teen horror, and for Evans Brothers, writing basically anything in any genre! So I just got used to switching genre, and I still enjoy a change from time to time. It’s one of the thing I love about writing YA – you’re not straitjacketed so much into a particular type of book.
You’ve also published books under the name Gabriella Poole. How did this come about, and are those books very different?
Very different from my own books, yes. The Gabriella Poole books were the ones I wrote for Hothouse Fiction – the Darke Academy series, which are about an elite boarding school that travels the world (essentially because students keep being killed in mysterious circumstances). They’ve been great fun to write – the editors at Hothouse came up with the concept and the characters, and I write the whole story from an outline, which is the only time I follow a plot plan. With my own stories I tend to fly by the seat of my pants – I don’t plot in advance – so it’s fun to write this way for a change, and it’s good exercise for the writing muscles. ‘Gabriella Poole’ belongs to Hothouse rather than to me, which gives both them and me some flexibility – another writer could ‘become’ Gabriella if necessary.
When you sit down to write a new book, do you find inspiration in particular ways or from particular sources?
Usually I’m not sitting down – I’m probably out for a walk. I find, like a lot of writers, that walking is a great way of shaking loose an idea in your head. So I walk for miles, listen to music (I like to have a soundtrack for each book), location-scout... and my other main source of inspiration is news or magazine articles. I don’t fictionalise real-life situations but I do imagine real and terrible things happening in different ways to my characters.
What are you working on now and what do you see yourself writing in the future?
I’m writing a short story for an anthology a friend is editing, and simultaneously I’m working on an e-novella, a prequel to Firebrand – it’s about Griogair and Lilith – which I hope to publish online at the same time as the Firebrand and Bloodstone ebooks come out.
After that, well... I have a draft that needs rewriting of a book called Sealskin, and I have another idea for a thriller simmering away in my head.
What’s the best advice you could give to someone who is writing a novel and hoping to get it published?
Just to persevere, and to take good advice. Keep writing and rewriting, but listen to readers (who aren’t related to you) – join a good writing group that provides honest critiques, or pay for editorial services if necessary. It’s never going to be right first time (or even the fifth time) but so long as you get something onto the page, you’ll have something to work with.
On your website you mention that you are ‘taking dictation from people who don’t exist’. It sounds as though your characters are very real to you despite not existing, how helpful is that when you’re writing?
It’s enormously helpful. When they turn real, they do all the work, which is nice. Of course, if they take a while to become real, it’s a lot more like hard work. And if they refuse altogether – well, I don’t have a book. I have to start again with someone more cooperative.
Thanks so much to Gillian for popping over today to share those thoughts with us.
You can read my review of 'The Opposite Of Amber' on Bookersatz now.
You can buy Gillian's books here.
