The Drowning of Arthur Braxton
I had a sneak preview of this book a few weeks ago (thank
you, Caroline!) and I totally loved it. It’s taken me a while to get round to
doing a review – mainly because I was worried about not doing it justice. Because
this is a fabulous book, and just like Caroline’s previous novels it has a
spirit and an essence that are both unique and beautiful.
Inextricably combined in this story are a wonderful sense of
place, and some amazing characters. It really is like entering into another a
world, a world that won’t let you go until it has finished telling you what it
wants you to know.
To cover place first, the setting is inspired by the
Victoria Baths in Manchester, but Caroline has moved them to North Wales! The
swimming bath setting adds to the novel on a number of levels. Firstly it
provides the water (real or unreal) that drives a lot of the narrative and is
symbolic of transformation, redemption and healing, but the building also holds
the characters in a kind of cocoon making incursions from the outside world seem
more significant. (You can read a note from Caroline about the real Victoria
Baths right at the end of the book.)
I also love the little snippets of ‘real life’ news and
weather forecasts that intersperse the chapters, like this:
‘Flintshire, Wrexham,
Denbighshire, the Wirral and Greater Manchester are also subject to heavy rain
warnings. With this level of rainfall continuing throughout today and conditions
expected to worsen, the Met Office said it would be likely to extend its
warnings into next week. So, looks like we best get building our arks. And back
to the studio . . .’
They ground the narrative to the real world, whilst at the
same time, making it more other-worldly.
Arthur Braxton is a likeable character and easy to empathise
with. Choosing an adolescent male voice with which to narrate was a bold move,
but it really pays off and Arthur’s world of FaceBook mishaps and family misery
feel very authentic. And as he is sucked more deeply into the world of the
baths and its inhabitants, we experience all the associated sensations and
emotions with him.
For me though, the voice of Laurel, the female character who
begins to narrate the book is equally strong and in many ways it feels like
it’s as much her story as it is Arthur’s. In fact, the balance between the two
main points of view proves ultimately both effective and heartbreaking.
If you’ve read any of Caroline’s previous books you’ll know
to expect beautiful use of language, a unique world view and a moving emotional
journey. If you haven’t, come to it fresh and prepare to be blown away!
You can read my reviews of Caroline’s previous books here.
You can buy The Drowning Of Arthur Braxton here.